"Sam" (Lupita Nyong'o) is living at a residential home when a group of them take a day out to the big city. She only agrees to go if she can have pizza, but that opportunity is soon kiboshed when their minder "Reuben" (Alex Wolff) tries to herd them back home after a city-wide alert is called. Things are falling from the sky - and these things are hungry. With carnage ensuing, she and her cat manage to find refuge in the theatre they were attending but with even the slightest of sounds attracting their foes, she realises that heading to Harlem for a Pepperoni from Patsy's might be her best option. Walking silently, she encounters the dazed "Eric" (Joseph Quinn) who has come from the UK to study law in the USA and has ended up with much more than he bargained for. Initially reluctant, she agrees to walk with him and gradually a bond develops as the environment gradually and dangerously disintegrates before them. Luckily, the monsters can't swim - so perhaps they can try to make it to the water? Obviously there's not a great deal of dialogue here, so the accumulating sense of (limited) menace is built by two actors who are adequate but who don't really have enough to work with to make this stand out. As ever, the lengths people will go to to save their pets astonishes me. Danger everywhere and yet both feel the need to risk life and limb for a moggy! Bizarre. It's difficult at the best of times to get much traction from prequels, and Michael Sarnoski doesn't really manage to develop the characters or the story beyond this ninety minutes of stand alone cinema that really has little to do with the other, far better, films from earlier in this strand. It's watchable enough, but nothing remarkable. Pity.

Smart horror films are one movie genre of which not nearly enough offerings are produced. These pictures are proof positive that edgy, spooky stories can be successfully made without having to kill off the cast or engage in spectacles of gratuitous gore. The works of filmmakers like Jordan Peele and Alex Garland exemplify this, as do the three releases in this impressive franchise. And this latest entry is, without a doubt, the best of the lot. “Day One” draws upon the mythology introduced in the series’ first two films, but it takes matters in a new, more insightful direction and does so, ironically, by way of a prequel going back to the origin of this gripping, ongoing saga. What separates this film from what preceded it, however, is that it presents yet another story in the franchise but from an entirely new angle, with new characters, a new setting, and a new, more profound, more nuanced focus. Instead of small-town America, where the first two pictures were set, this offering takes place in New York City, showing what happens when the Big Apple is attacked by the now-familiar aliens that hunt by way of sound as the means for finding their prey – and the measures that surviving humans must take to stay silent to keep from being spotted. The narrative principally follows a terminally ill poet (Lupita Nyong’o) living in hospice care who has become resigned to the fate of her impending death but now seeks to stay alive at all costs, most notably in helping a frightened Englishman living in Gotham (Joseph Quinn) and protecting her beloved (and adorable) comfort cat. These circumstances give her a new purpose at a time when she might have otherwise completely given up hope. In telling this story, the film also examines the perils of having to suddenly adjust to a “new normal” under unpredictable conditions, as well as the need for all of us to pull together in a united front in the wake of these trying circumstances. But there’s more to it than that, including metaphorical themes and symbolic imagery that truly make this more than just a horror film (and even more than just a smart horror movie at that). While it’s true the story meanders somewhat at times, it nevertheless presents viewers with a thoughtful tale, punctuated by excellent camera work, a fine soundtrack and a superb, award-worthy performance by Nyong’o. Even if you haven’t seen the two previous films in this series or have much interest in this genre, writer-director Michael Sarnoski’s second feature outing is well worth your time. It’s a smart, smart, smart film that rises far above what one might typically expect from a horror flick – and one that will leave you with a lot more than just a few good scares upon exiting the theater.

Nothing special. My first and enduring reaction to A Quiet Place Day One. Perhaps the biggest shortcoming is rather flat, indifferent, cynical characterisations. "Everything is shit...." According to the main character. Perhaps this reflects the New York way of being? Big city rat races and so on? Suffice to say, it doesn't work. What made the first two films such a success was a family dynamic with people who were close and cared deeply about each other. You could empathise with them, buy into their plight, when faced with an alien other. Beyond this the horror/actions scenes are alright but again, because the vibe is wrong, the film just feels like its going through the motions. Its been done before yes, so whats this film adding to the equation? As far as I can see, very little. In summary, a nice idea but the overall set up just doesn't work for me. The results "just another" horror action flick with a few jump scares to keep you on the edge of your seat and little else. If you are going to build on a successful franchise you need to look "hard" at what made those other films such as success and inject something that is original but also taps into those elements, in a meaningful way.

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/a-quiet-place-day-one-review-where-apocalyptic-horror-meets-inspiring-thematically-rich-character-arcs/ "A Quiet Place: Day One stands out for its thematically rich, complex, universal screenplay, resuming the franchise’s exploration of topics such as the fight for survival, humanity, and the will to live, while enriching the saga with inspirational character arcs around mental, physical, and emotional health. Michael Sarnoski displays his exceptional ability to create an apocalyptic atmosphere filled with suspense and terror at every turn, ensuring high entertainment value throughout the whole runtime. The notable performances by Lupita Nyong’o, Joseph Quinn, and Alex Wolff significantly elevate the movie, with Nyong’o, in particular, delivering a powerful, intense performance that underscores the importance of finding hope and joy amid despair. The emphasis on the importance of emotional support animals is the cherry on top that makes this installment a valuable, moving addition to the saga." Rating: A-

Unexpectedly, quite dull. <em>'A Quiet Place: Day One'</em> builds some tension well and features very good sound design, though the story and its characters are a disappointment. I have no issues with Lupita Nyong'o and Joseph Quinn, they try, but Sam and Eric are written quite boringly. I felt like we were missing some major character development for both. The plot is rather underwhelming. There is some additional meaning in there admittedly, but it's literally one lame objective and then the standard styled exit. It felt whilst watching that the movie had barely any flesh on its bones. The cat stuff is cute, though the obvious lack of true jeopardy for Frodo even hampers that from hitting for real. There is at least a pleasing use of Nina Simone's Feeling Good. Overall, however, this left me feeling extremely meh, unfortunately. I am, it is worth noting, someone who doesn't love the original two movies; though I did like the first flick just about enough.

Great performances. Monster sequences are incredible. Fantastic cinematography. Everyone loves the cat. But the story is beyond dumb and if you can remember anything about Eric apart from him uttering "Okay" seven hundred times then you deserve an award. Full review: https://bit.ly/Frodont

Lupita Nyong'o has a talent for elevating every film she's in, and her performance in A Quiet Place: Day One is no exception. Alongside Joseph Quinn, she shines brightly in this third installment of the A Quiet Place franchise. This film breathes much-needed life into the series, which has only improved over time. The first film introduced an interesting concept but didn’t resonate with me long-term. The second film, though bolstered by terrific performances from Cillian Murphy and Emily Blunt, still left me wanting more. A Quiet Place: Day One finally delivers by taking us back to the beginning with a fresh perspective and a change in location that reinvigorates the narrative. Setting the film in New York City was a brilliant move. The urban backdrop provides a stark contrast to the rural settings of the previous films, adding a new layer of tension and excitement. The urban environment also allows for more complex and dynamic action sequences, which are executed with precision and creativity. Nyong'o and Quinn’s performances are standout elements. Nyong'o brings depth and intensity to her role, making every scene she's in compelling especially with no dialogue. Her ability to convey fear and determination simultaneously adds significant emotional weight to the film. Quinn complements her perfectly, and their chemistry drives the narrative forward. The action sequences are meticulously crafted, with each set piece building tension masterfully. The filmmakers’ use of sound—or the lack thereof—remains a powerful tool, enhancing the horror elements and keeping viewers on the edge of their seats. Overall, A Quiet Place: Day One is a well-done horror movie that reinvigorates the franchise. The new setting, coupled with strong performances and expertly crafted action sequences, makes this installment the best yet. Lupita Nyong'o and Joseph Quinn bring new energy to the series, while the change of location to New York City provides a fresh and thrilling backdrop for the story. This film not only stands out within the series but also within the horror genre as a whole.