Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes. RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry. While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me. “The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves. Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me. There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be. Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché? Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science. As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on. Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like. THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand. GRADE: C

Great finale to a great trilogy. The action and battle sequences were amazing and even though I've seen this a few times over the years, still thrilling to the end. I didn't even mind the multiple endings as I had in the past, nice each character got their due. **4.75/5**

An outstanding end to the trilogy. I expected a lot from <em>'The Lord of the Rings: The Return of the King'</em> so I am delighted to see it produce on so many levels. I, funnily enough, wouldn't actually say it's necessarily the most perfect execution - what with the plot coincidences and extreme character armour. But that doesn't matter one jot whatsoever, as the story wraps up in arguably the best way - at least to watch - possible. It has so much heart and feeling to it. The story involving the characters of Elijah Wood, Sean Astin and Andy Serkis remained the most interesting to me, I was very satisfied with how it concluded in regards to them. I also enjoyed the bits we got of Viggo Mortensen, Ian McKellen & Co. All that added to the beautiful look and creation of the film, with the world coming alive splendidly. If I were to nit-pick further, I would say the run time is slightly too long. The pacing is absolutely fine, very good in fact, but I coulda done without a few of the many end scenes - a lot of which are necessary and welcome, but a couple could've been left out to allow the viewer to imagine how the world continued. That's just how I feel mind, I'm sure I'm one of only a few that think that way. Back onto the positives: how about those battle sequences? Astonishingly good. A sensational trilogy, no question about it. I look forward to seeing <em>'The Hobbit'</em> films.

A fitting end to a classic trilogy. Frodo, Samwise, and Gollum journey through a Hell on what is called "Middle Earth", while Gandalf, Aragorn, Gimli, and Legolas go to war. King Theoden must decide whether to help those who would not help him. Merry wants to war, but is too small. Pippin finds himself getting in more and more mischief. Lots of subplots. Never a dull second. Masterfully dierected. What more can be said? Truly mesmerizing every step of the way, and a movie with maybe four endings that just lead into each other, and we still can't get enough.

I've just seen this on the big screen for the first time since I saw it at London's sadly now long-gone Odeon at Marble Arch, which - at the time - boasted the biggest screen in the UK, and it has lost little of it's magic. Continuing with the interwoven tales of "Frodo", "Sam" and their treacherous guide "Gollum" as they trek through fire and brimstone to get the ring to Mount Doom; whilst Gandalf, Aragorn and the surviving members of the fellowship try to stem the might of "Sauron" and his armies of orcs and their allies. While this is undoubtedly a magnificent piece of cinema, I find the story drags a bit. I found the the focus to be too much on the less interesting characters - the lovelorn "Eowyn" (Miranda Otto); the delusional "Denethor" (John Noble) and decent but rather wimpish "Faramir" (David Wenham) as "Gondor" faces the wrath of their nemesis, and that slows the pace from the action just when it ought to be building. The delightful, friendly, rivalry between "Gimli" & "Legolas" features all too sparingly and it's got too ponderous a narrative to sustain the four hours the otherwise visionary Peter Jackson has created. Fortunately, the triple-header quest with Elijah Wood, Sean Astin and a superb Andy Serkis keep the other strand moving along suspensefully and tensely. The battle scenes are superb, though - when we get them, the effects really do rise to the occasion and, of course, the striking cinematography coupled with the inspired themes from Howard Shore contribute to a thoroughly entertaining adaptation of a thoroughly captivating fantasy adventure. If you make it past the start of the credits, there is the gloriously haunting "Into the West" from Annie Lennox to top off this finest of trilogies. The Oscar/BAFTA awards this achieved are a just reward for years of stunningly creative effort from thousands of people who turned the imagination of a 20th Century English academic into films that will last forever.